Category Archives: General announcements

General announcements?

Welcome (back) to Crow Caw Music Works – Blog section



This is the place for all things related to and about the musical productions and writings of tim p scott, producer of electronic post-rock instrumental compositions since before there was post-rock.

If this is your first visit, welcome. This is the permanent landing page. Up above there are the main (“What”, “Who”, etc.) menus. You can go to the page “Listen” for samples of tps music, “Who?” for some biographical material, “What?” for general information about this site, and “Where?” for contact information. “How” discusses various aspects of (what used to be called) “DTMP” (Desktop Media Production).

All the music from the first 5 CDs are now available on Spotify as well. Just enter “tim p scott” into the search box. (If you subscribe to that service, just think; you’re paying me about a ten-thousandth of a penny each time you play a track. Hey, it adds up!)

If you’re returning, welcome back. Apologies in advance for all the broken links and other embarrassments. This site may not be dead yet. My musical pal and I are planning a launch/relaunch of our sites so maybe having a partner will motivate me to resurrect this. We know that the most important thing about a website is interesting content and **FREQUENT UPDATES** so maybe we can make that happen.

Working full time and trying to keep up an old house does tend to suck up a mass of time. (2022: OK, you’ve NOT been working full time since 2019, so where’s all the new music? :)

Finally; while we try to be realistic and flexible about copyright law (after all, who wants to spend all their money on lawyers and lawsuits [besides certain churches]?), we sincerely hope you’ll at least have the grace to give credit to tim p scott and/or Crow Caw Music Works if you use anything from this site. So please try to do the Right Thing, it no kill you.

(Apologies in advance for broken links; I have a lot of references to old websites/pages some of which have moved or disappeared. Don’t forget to check the Wayback Machine at which is a pretty good attempt to save every website that has every been on the internet.)

For instance, today I removed my cool pointer to a short interview with the great Robert Moog as the link disappeared. The curse of the internet….

It all makes sense … ultimately

OK! After attacking all the bad smelling stains in my studio I have reassembled it and moved back in. It’s a much more pleasant space to work in now.

In order to avoid actually working on music, I spent a week experimenting with overclocking my PC. I can’t afford new computers right now. Cats are too expensive.

I got my home built PC with a 2.4GHz Intel Core 2 Quad CPU overclocked and running stably at 3.2 GHz. That’s like buying a newer computer for free.

The next step is for me to clean up this site. The design that I thought was so nice 5 years ago is badly out of date now, and needs to be streamlined. But maybe even more important than that, I want to at least make sure that the sample tracks on other pages at least play correctly.

It’s all on the schedule to be done before I die! Stay tuned…


Long overdue review of 19 A.D.D. “Dead River”

19 A.D.D. “Dead River” cover

19add review (odt format)

19 A.D.D. “Dead River” (2010, 36 Records)

Is your favorite music the likes of, for instance, Lady Gaga, The White Stripes, MGMT, or Arcade Fire? Then stop reading now since you are definitely in the wrong place. However, if bands like King Crimson, Tool and Mahavishnu Orchestra get you excited, then you are in for a huge treat.

19 A.D.D. is a trio from Colorado mainly playing electric guitar, bass and drums. With that seemingly conventional instrumentation they have hammered out a monstrous, fire breathing set, one of the very best I’ve heard from a long time.

To try to get a point of reference, I suppose you could characterize it as “instrumental progressive/experimental jazz/metal.” Besides the bands named above, in my opinion it contains elements of Dysrhythmia, Liquid Tension Experiment, Black Light Syndrome and Attention Deficit, but is not by any means imitative or derivative of them. The songs are primarily complex, joyously loud and brutal, and leavened with odd little sound sculptures and breaks just to add interest and variety to the mix.

The 45 minute release consists of 15 tracks. 6 of them are short sound collage or experimental pieces (one sounds like a 50s Ken Nordine riff) , mixed in with 9 somewhat more conventional pieces. Conventional is probably not the operative word, as the band manages to throw in countless tempo, key and time signature changes into their tunes, still managing to keep the flow and power moving.

Musically I give them a 9 out of 10—I feel like they’re still going to get better.

If I had to carp about anything, I guess it would be the hypercompressed mastering. For their style of high power music, I know it’s common and does make sense, but I can’t help but wonder what their material would have sounded like with the limiters backed off a tad. The CD release not surprisingly sounds better than the MP3 versions, but both have plenty of beef. Obviously…you must have this. On top of that, the CD artwork is beautiful. Don’t just rip or get the MP3 of this, actually go out and buy the CD.

(As of late 2011 their second record GAIA has been completed. More about the band etc is at

Track list

1 0:57 Siddhapur

2 3:46 Diadem

3 3:45 Spoim

4 0:40 Patan

5 3:48 First World Paine

6 4:33 Sailing Blinde

7 8:37 Slomosexual

8 0:56 Umari

9 3:45 Tendre Crotch Play

10 1:08 Danta

11 3:24 Carnivalium

12 0:53 Jamhuri

13 1:21 Khapan

15 2:52 Bikarni

You should get this and Gaia! Highly recommended.

Updated 4 Jan 2014

NWEAMO San Diego – Feb/Mar 2012

I feel really blessed to have this wonderful event just a few miles from my house. Sometimes I think it’s a pity that more people from the community don’t attend.

This year there is a very nice article, mainly based on an interview (with a handy description of the festival schedule) with festival adjuvant Dr Joseph Waters, that hopefully will raise the series’ profile. But unfortunately it is still 90% music students from SDSU attending.

Tonight the Partch ensemble is playing; I only hope it will not be sold out before I can buy a ticket.

Scary developments

update 2012/02/19

Well, that turned out to be a false alarm. I’m back to my version of black metal compositions for the time being.

I still reserve the right to do vocals some time in the future. Maybe I can be the Gordon Lightfoot/Leonard Cohen of my generation (*snerk*)

original post: 2011/07/27

OK, confession time.

Probably giving my age away pretty badly; in my rotation of CDs to listen to during my commute, I pulled up my old Talk Talk collection.

The embarrassing admission is that I actually sing along to them in the car. So what the hell? I thought. I hooked up a mic on an improvised stand (adapted from an old camera tripod I had), hooked it to my ART preamp, and sang along with a bunch of songs on “The Party’s Over” and “It’s My Life.”

So far, I am persisting in my folly but I’m sure reason will return before I make too big a dope out of myself. My plan at the moment is to take one or two tunes and cover them. Basically, I’ll gradually build the track back up using my own tools around my own lead vocal.

This is a lot of fun, even if the tracks never see the light of day. For instance, one track I want to slow down just a few percent which is not much easier with the better elastic audio tools available in most decent DAWs.

Meanwhile I’m also working on a couple other tracks I started as long ago as 10 years which I hope to finish before I get too old to know what I’m doing. Hopefully there will be more frequent progress reports than I’ve been making.

(posted 2011/07/27; updated 2012/02/19)

Computer music pioneer Max Mathews dies at 84

The influence of Max Mathews on all aspects of electronic and digital music since its birth has been enormous. The seminal music programming system Max (originally sold by the now-defunct Opcode Systems was named for him. It has recently been rearchitected to work with Ableton Live as Max4Live.

Appreciation of Max Mathews at

Snapshots from around the studio

Crow Caw Music Works International Headquarters

Gimme that comfy country vibe!

Guitar department - 2010

Guitar department - 2010

There’s a wealth of interesting detail here (depending on your personal understanding of the word “interesting”…) Notice the high quality $20 First Act guitar amplifier you can just see the top of under the desk. I’ve since relocated it a little bit and covered it and its mic with a heavy blanket. This seems to give me better guitar sounds…possibly because I can run it louder.

The photo below is from last fall, when I was still working on my piano lessons and the Novation Remote SL was still on the right hand side of the production desk. It’s sort of dark but you can make out one of the official CCMW Studio Cats on the task chair. When that happens I have to drag a wooden chair in to work on.

Last fall with Lucy


Really…just more like random ideas for future “enchantments” to the site…

At some point we plan to implement some “customer only” pages under the various release pages. You’ll be able to access them by entering a password; possibly something that only a CD purchaser will be able to tell from the packaging.

At first, they’ll probably just have the MP3/OGG/WMA versions of the songs for download, but in the future I hope to include other easter eggs. Check back now and then and I’ll make an announcement in a post in this section…

So is this great genius or another fart in a whirlwind idea? I’m sure you can guess…

lastmodified 2010 december

Firefox/Safari/Chrome: better now!

Originally published 2009 Feb 1

The cool thing about is that you can purchase an option to customize the CSS for your site. This is great and allows you to do amazing things to the site appearance.

Of course, the problem is that every browser (Internet Explorer[IE], Firefox, Chrome, Safari, etc.) has its own idea of how to interpret certain interesting CSS code. On top of that this is a moving target since all browsers are continually releasing patches and updates. For instance at this moment (2009 Jun 5) IE is at version 8, Firefox is at 3.0.9 (I think) and Chrome is at about 2.0.172.something)/ Safari I have no idea about.

Update 2010 Mar 6

Now Chrome is at and Firefox at 3.6. I’m pretty happy with my CSS now, because gradually my site is looking OK on those two browsers.

We have been trying to write the CSS so that the site looks at least reasonable for all the browsers; but unfortunately this means they don’t look great in any particular one. This will take more study–maybe there’s another way around it. But for now it will have to do

Since for better or worse 60 to 80% of people use Internet Explorer, if there are conflicts the CSS was written to look best in that browser. Mainly version 7.

So, our apologies in advance if you’re using another browser and things look “off”. They should at least work even if not well…

last update before I delete this post (feb 2011)

It seems that for whatever reason, I always revert to Chrome for browsing the web. Its current version is 9.0.597.98. As far as I know, all the major browsers seem to be happy with WordPress and my CSS and I haven’t changed it in months. and email

I was worried I painted myself into a corner there for a minute, but was better than I thought.

I didn’t read FAQs carefully enough to realize that they didn’t support email (even though they clearly state it in their support faq).

Fortunately, they implemented some sort of deal with Google Apps to hook Gmail with WordPress, so now tims [ at ] crow-caw [ dot ] com which used to work years ago is now up and listening again! [ as of Jan 15, 2009 ] . Hopefully this will be a good solution for a long time.

There’s also a new account “info [ at ] crow-caw [ dot ] com” which I’ll try to encourage as the main Crow Caw account…