Author Archives: A. Person

Raised by gypsies because the wolves wouldn’t have ‘im.

New tracks: “Whispers of Doom” and “Robot Monster 3” – technical details.

Updated 2010 02 22

I’ve just finished “mastering” two new tracks that have been in the laboratory for a few weeks.

“Whispers of Doom: is pretty much like everything else I’ve been doing lately.

“Robot Monster 3” is more fun as it uses extensive dialog samples from the 1953 grade-Z science fiction movie “Robot Monster” – see page 43 in the “Listen” section: https://crow-caw.com/40-listen/43-some-newer-tracks/

These were produced once again in Ableton Live (currently v8.1.1.) They make extensive use of the fantastic sounding Zebra2 synth — you can hear it in the bass parts and some of the leads, The venerable soft synths Triangle II and Crystal were also used, along with a weird patch from Arturia’s Analog Factory.

NWEAMO festival in San Diego – Oct 2009

Experimental Music Concert at San Diego State University

College students going tribal

College students going tribal

Joshua Fried intensely focusing on some strange thing

Joshua Fried intensely focusing on some strange thing

Joshua Fried grabbing more input from his FM boombox

Joshua Fried grabbing more input from his FM boombox

Tristan Shone's DUb Brutaliser waiting to be inflicted on the audience

Tristan Shone's Dub Brutaliser waiting to be inflicted on the audience

IMG_1703

NWEAMO is a cool organization now in its 11th year (as I understand it). Its mission is to maintain the connection between classical music and avant garde and popular. It makes sense the way they explain it. They support performances in Europe, the US and elsewhere as far as I know.

Anyway, last night was the first of two of these concerts they stage yearly in the US. Fortunately they are held at SDSU which is not far from my house.

The program was very excellent and fascinating and the only complaint I have was that it was too short! It lasted a bit under 90 minutes. In any case it was well worth it. Hopefully I’ll be able to add a bit more tonight.

There doesn’t seem to be anything recent on youtube, but do a search for NWEAMO and you can see videos from last year of previous performances in NYC and San Diego.

NWEAMO concert night; view east over the SDSU pedestrian bridge

NWEAMO concert night; view east over the SDSU pedestrian bridge

Update 4 October: I’ll go ahead and upload the snapshots I took last night. Amazing and intriguing work and a lot different than Friday’s performances.

I just wish I had some video and audio to contribute. As it was, it appears that I wasn’t really supposed to even take pictures, although I had the flash off and was careful to mute the camera.

Tristan Shone's Dub Machinery

Tristan Shone's Dub Machinery

Joshua Fried's shoes, steering wheel and electronics

Joshua Fried's shoes, steering wheel and electronics

Boogieing down to Joshua's mashup

Boogieing down to Joshua's mashup

IMG_1713

Moving into the new century…

Well, not quite. As usual, I’m the last person in the world to adopt something new. In this case, I’ve finally bought a laptop.

I’ve been wanting to get a portable computer for some time. I’ve been waiting for a decent laptop under $400, but nothing was really suitable. There are Atom powered “netbooks” but I want to be able to at least run Live and Reason on it.

I saw a Turion-based system advertised at my local Fry’s store for $299. It was almost suitable, but the deal killer was the Vista Home installation. As you may know this is the version of Vista that can’t be upgraded to Windows 7 when I comes out. So I “splurged” for an Acer 5520 which is powered by a AMD Turion X2. It was another $100 but so far I think I’m glad I spent the extra money.

Then yesterday I spent another $100 on a security cable, wireless router and carry bag. It’s all good fun and now I’m another $500 in debt but happy…

Update on the laptop

Well, that turned out to be a bust. The Acer laptop was flaky beyond belief. I followed all the instructions, made sure the anti-virus and updates were all there, but after many hours of work the thing still didn’t work reliably.

I took it back to Frys which efficiently refunded my money. I ended up buying a Toshiba model which I have so far put many hours on without a single problem.

last modified 2010 sept

Where’s the new music?!

(June 26)

Well, it’s not really “NEW” but I’ve uploaded a nice copy of my Buddha Machine 2.0 remix (info on this page: https://crow-caw.com/40-listen/44-buddha-20-remix/) OK, I can announce that I have at least uploaded something new! It’s a fairly long (7:23) piece from the loops from the second version of the infamous Buddha Machine, generously provided (under a Creative Commons license) by FM3. I put the track on bandcamp for anyone’s delectation.

(May 26)

As someone once put it to me: “Life is a lot of clutter.” There are so many things you have to do that keep you from making music. And as you get older there are more and more of them. Simplify dammit!

Anyway, I also have to confess I’m tinkering too much. I have a Novation SL keyboard/control surface I really haven’t optimized for use. It’s proving worth the time for me to delve into it and the “Automap” feature.

Anyway, my new strategy is to go ahead and chunk out some partially finished tracks. Maybe at some point I’ll set up some comment strategy to see if it’s even worth pursuing a particular musical idea…

Well, stay tuned and I’ll try to update. Before that I need to fix up the CSS for this site anyway. I’m sort of getting tired of the color scheme, but I’m afraid if I change one thing I’ll have to change everything…

Brainstorm!(?)

Really…just more like random ideas for future “enchantments” to the site…

At some point we plan to implement some “customer only” pages under the various release pages. You’ll be able to access them by entering a password; possibly something that only a CD purchaser will be able to tell from the packaging.

At first, they’ll probably just have the MP3/OGG/WMA versions of the songs for download, but in the future I hope to include other easter eggs. Check back now and then and I’ll make an announcement in a post in this section…

So is this great genius or another fart in a whirlwind idea? I’m sure you can guess…

lastmodified 2010 december

Warning

I’ve written about this band before. Basically it’s one of the primary influences on me and my music. Even though they only released 2 lps (that I know of) in the 1980s, I still hardly ever get tired of listening to them.
I was just making up some MP3s for my portable player, and listened to “White Camels” off the second LP (“Electric Eyes”) again, and was struck with how excellent the simple guitar lead was they used for the out…it starts at about 3:56 and goes to the end about 5:18.
I’m going to go out on a limb here again and put up the file in a player, even though it’s a frank copyright infringement. I’m justifying it by the fact the record is nearly 25 years old and most people have never heard of it. So I don’t feel I’m taking royalty money out of anyone’s bank account.

White Camels
(5:18) from “Electric Eyes”
©1982 Warning
(click > to play)

(A note about the “Possibly related posts”: WordPress seems to generate these automatically. I would personally rather they weren’t there, since it isn’t real clear that the site doesn’t put them there, and I can’t control which ones show up. So if offensive, irrelevant or ridiculous links are posted down there, apologies in advance.)

Back to ambient…

Silencio draft#5 (about 22:00)
Appr. 22:00 long
©2009 tim p scott
(click (>) to play)

Going through old ideas I I decided to put back my Eno/Budd/Lustmord hat and the result is a new ambient/soundscape piece. It still needs some tweaking but in any case we’ll put up a player with the current draft on it for your amusement (warning; the draft is 20:00 long)

OK, on 19 Mar–after listening to this a couple times, I’ve figured out that it needs a new revision. The last half of it is closer to what I want, but the first part has to change. So check it out now and then next week I hope to have version #4 up to listen to on this page.

It’s also recommended that you listen to it in a very quiet environment since it’s extremely subtle.

(Note: if you see a list of “automatically generated links” below, that’s something that wordpress is doing that I don’t really approve of. I don’t know how it generates the links or what the rationale is for it. In any case, I’ll probably figure out some way to turn them off using CSS if they get really annoying.)

A new and excellent site for musicians: bandcamp.com

Update stardate 4 Sept 2009

I’m liking this site more and more. If nothing else, their FAQ is the most fun to read of any site. They obviously understand “Web gruettiquette” and “independent music” well.

The little player tool that embeds into wordpress stuff doesn’t look so hot. I went back to their site to see if they had improved it any..doesn’t look like it yet.

The history

I found a site called “bandcamp” through some forums I read.  This is a new site for independent bands and musicians to put their tracks and albums, sort of like amiestreet and many others (some of which I describe on other pages of this site.) It looks very flashy and professional; obviously whoever is behind it has some $$ for programmers. At the moment it’s free in order to try to get musicians to put some content on it (otherwise…what good is it?)

I’m also getting sucked in by their nerdy+cool attitude in their newsletter and

I’ve signed up and stuck one song from “The Circle of Art” up just as a tryout. It will of course take some time and effort to set up a band page on yet another site, but it does look well thought out and feature rich.

One nice little feature is that they offer a player shortcode that lets you easily embed tracks back into a wordpress.com page! Isn’t that a nice feature? Thus:

This was the original shortcode:

Now they recommend I use this one:

which sort of looks the same to me.

(I can’t show the code that generates that player in wordpress.com, the “sourcode” tag doesn’t work for it either.)

Anyway–bandcamp is not a social networking music site where you can message the artists, rate their works, etc. (as far as I know so far) but more or less just a showcase at present.)

The other thing it doesn’t have at the moment is a “browse” or “search genre” feature. All the artists appear to be on the same level without a way to filter for certain genres, popularity, etc. Maybe these things will be implemented or maybe I’m missing them. More Will Be Revealed, Doubtless. But if you have your own promotion mechanism and just need a place to park your product, this looks like a good place to do it.

(Eventually this page will probably end up on “51-Places to put your music” but I just wanted to get this note written quickly.)

Note added 20090526

It looks like they’re implementing a way to buy tracks at “U choose the price” value.

The replaygain computations

Winamp can calculate the “ReplayGain” value for an album, or individual tracks.

What is ReplayGain? This will be explained in more detail on the LOUDNESS WARS page but in short, it’s an objective measure for how relatively loud a whole album is. For instance, if an album has a ReplayGain value of -5 dB, that means you would have to turn it down by 5 dB so it would sound as loud as one with a value of 0 dB.

The original idea of that was that you wouldn’t get blasted if you had a mix CD or playlist of a lot of different recordings from different sources. In practice it doesn’t seem to be that important since most people listen to the same sort of music, and most commercial music is already produced to sound as loud as possible anyhow.

In any case, using WinAmp to calculate these values for all the tim p scott albums:

Title Value (dB) Approx. range (dB)min .. max
Jack of Shadows -1.50 +2.2 .. -3.4
The Circle of Art -1.35 +1.3 .. -4.3
radio i -1.00 +0.2 .. -3.3
glossolalia -3.00 -6.0 .. +2.2
MMIV -1.75 -2.6 .. -1.0
Canciones… -3.60 -6.0 .. -1.3
The Secrets of Metals -2.47 -4.3 .. -1.9

 In other words, the Canciones… LP is the loudest and radio i is the quietest.

Some comparisons to commerical records:

Digweed’s Global Underground GU014 album gives –7.45 dB  (!) That’s not surprising considering it’s a club record.

Metallica’s Death Magnetic (the Guitar Hero 3 version, not the standard released version) gives -2.72 dB. There are lots of discussion of this album all over, especially in terms of its terribly poor mastering for commercial release. The sad thing is that it’s great music (at least in my opinion). It wouldn’t matter so much if it were Creed or Nickelback or something.

wordpress.com and email

I was worried I painted myself into a corner there for a minute, but wordpress.com was better than I thought.

I didn’t read WordPress.com FAQs carefully enough to realize that they didn’t support email (even though they clearly state it in their support faq).

Fortunately, they implemented some sort of deal with Google Apps to hook Gmail with WordPress, so now tims [ at ] crow-caw [ dot ] com which used to work years ago is now up and listening again! [ as of Jan 15, 2009 ] . Hopefully this will be a good solution for a long time.

There’s also a new account “info [ at ] crow-caw [ dot ] com” which I’ll try to encourage as the main Crow Caw account…

Last updated 2009-01-15